Biographical Sketch: Judith R. Cohen

For the past two years Judith has been working on a project called
"Toward a Musical Ethnography of Crypto-Jewish Regions of Spain and
Portugal", partially funded by a small research grant from York
University and supplemented with Judith's own lectures and
performances in Spain and Portugal, and recently by a Canada Council
Artists Grant which will enable her to work on her traditional style
performances of the repertoire while she carries out the academic side
of the research. She has carried out extensive fieldwork in villages
of Portugal, particularly in the Beiras, Tras-os-Montes and Northern
Alentejo, as well as in corresponding areas on the other side of the
Portuguese-Spanish border; interviewing both Judeus and non-Jews. She
is now working on transcribing and analyzing the hours of audio and
video tape recorded on these excursions, as well as learning selected
songs from the tapes as a performer. The songs she sings in the Rhode
Island programmes will be taken from these field recordings; she will
also include, to "honour the ancestors", some cantigas in 12th and
13th century Galaico-Portuguese and some traditional Judeo-Spanish
songs. Judith will sing in traditional style and accompany herself on
regional string and percussion instruments. Her presentations are
informal and include anecdotes, explanations, and invitations to the
audience to participate in singing refrains and asking questions - or
offering their families' versions of some of the songs. She speaks
Spanish and French fluently, and, since beginning the project,
passable Portuguese (though some of her colleagues in Portugal have
dubbed it "Portunhol".)
For many years, Judith has been working with both Judeo-Spanish
Sephardic music, which was the subject of her PhD dissertation, and
with related traditions, including Medieval Iberian music (women
musicians in medieval Spain's three cultures was the subject of her MA
thesis), French Canadian, Balkan, Yiddish and also pan-European
balladry, comparing Sephardic ballads with those of other
traditions. She has carried out fieldwork and research, and also
performed and lectured, in several countries besides Spain and
Portugal, including Israel, Morocco, Greece, Turkey, Belgium and
France. She often performs together with her daughter Tamar Ilana,
now 12, who also works with Judith on fieldwork excursions and studies
flamenco dance. Judith is also a founding member of the Montreal
Sephardic ensemble "Gerineldo" and the medieval women's ensemble "Na
Carenza". She has published several articles and book chapters on
Sephardic music, including an annotated discography; and has several
recordings, both alone and with "Gerineldo"; the latest one was just
released, by Radio Canada, and features Tamar Ilana's singing as well.
Judith was born in Montreal (her grandparents were from Vilna) and
lives in Toronto, returning to Spain and Portugal whenever possible.